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What I Read and Watch to Decompress
  + stars: | 2023-10-25 | by ( Amanda Taub | ) www.nytimes.com   time to read: +4 min
“India’s Daughters,” the special newsletter series that I created with my colleagues Emily Schmall and Shalini Venugopal Bhagat, premiered last week. There will be a new chapter on Friday, and you can catch up with the first installment here if you missed it. Longtime readers will probably guess that “Pride and Prejudice,” by Jane Austen, is at the top of my decompress-and-disconnect list. As someone who isn’t a particularly fervent fan of even real tennis matches, I find fictional ones pleasantly untaxing. I want to hear about things you have read (or watched or listened to) that you recommend to the Interpreter community.
Persons: , , Emily Schmall, Venugopal Bhagat, I’ve, Jane Austen, that’s, Lydia Bennet, Witch, Melinda Taub, Amal El, Mohtar, “ Beckham, ” Netflix’s, David Beckham, Will, Kirsten Dunst, Paul Bettany, Nora Ephron, Margot Miller, Mohamed Mbougar Sarr Organizations: The Times, Times, Wimbledon Locations: Israel, Gaza, Geneva, , “ Beckham, Easton , Md
Witches, Robots and Martial Artists, Ready for Battle
  + stars: | 2023-08-09 | by ( Amal El-Mohtar | ) www.nytimes.com   time to read: +1 min
“The Shadow Cabinet” explores the consequences. Unfortunately, “The Shadow Cabinet” suffers by comparison. Whereas “Her Majesty’s Royal Coven” balances four points of view in a story that is more than the sum of its parts, its sequel is mostly consumed by Ciara’s. Whereas the first book sets up conventions and rules for magic, the second breaks them, but haphazardly, messily, in the service of chaotic plot engineering. The Britishness of “Her Majesty’s Royal Coven” was rooted in West Yorkshire and was part of the novel’s confident charm; “The Shadow Cabinet” has the more imperial cast of shallow tourism.
Persons: , Ciara, she’s, , It’s Organizations: Ciara’s Locations: West Yorkshire
Summer Reading 2023: The Best New Books
  + stars: | 2023-05-26 | by ( Sarah Lyall | Mary Pols | Alida Becker | ) www.nytimes.com   time to read: 1 min
Card 5 of 9New mysteries offer plenty of suspense. Background Image: In this illustration, a figure lies on a beach on a striped towel, a book over their eyes. On the left is a figure who recalls Sherlock Holmes. He is wearing a hat and smoking a pipe, and bending down to peer at the sand through a magnifying glass.
If this reads as a quite on-the-nose critique of contemporary conversations about race and appropriation, that’s because it is. It is in fact so obvious that it makes one wonder why Kuang uses the device of an unreliable narrator at all. Instead, June’s methodology is consistently to tell the reader her trespasses and offer flimsy justifications for them. These moments suggest the kinds of layers and intrigue the book could have maintained if it weren’t so committed to showing its hand. “Yellowface” is a kind of Art Monster story, but one that can’t allow room for ambiguity or revelation without rushing in to fill that space.
When Books Go Viral
  + stars: | 2023-05-12 | by ( ) www.nytimes.com   time to read: +2 min
Even if the bump turns out to be only an illusion, the collective joy will have been enough. Swiftie SleuthingThe Bigolas drama was not this week’s only strange collision between publishing and internet culture. Other pieces of pseudo-evidence: The book’s release date, July 9, is a lyric in the Swift song “Last Kiss,” and Swift referenced the date in a recent Instagram post announcing the re-release of her album “Fearless.” (The words “dear reader” in the Instagram post added fuel to the fire.) Bob Lingle, the owner of Good Neighbor Bookstore in Lakewood, N.Y., first heard about the Swiftie speculation in a Facebook group for independent booksellers. On Saturday morning, he posted to his bookstore’s TikTok account about the rumors and opened up pre-orders for the book, just in case.
But though many have left, none have returned — until a boy named Tutu sets out to find water to help his ailing mother. While on his quest through the desert, Tutu meets many strange people with many strange stories and, through them, uncovers dangerous truths. Invaders stealing the literal tongues of the invaded is such a powerful, resonant premise, one that accrues more layers as Tutu navigates the desert. In keeping with the contradictions at the book’s heart, it left me perfectly sated and hungry for more. A question recurs throughout the book, an attempt to explain the concept of a multiverse: How many numbers are there between 1 and 2?
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